Game of Thrones writer Bryan Cogman live-tweets his favorite episodes
Okay, now on to Cogman’s #7 pick: Season 2’s “What Is Dead May Never Die.”
'What Is Dead May Never Die' directed by Alik Sakharov and written by some jerk.
— Bryan Cogman (@b_cogman) March 30, 2016
That jerk would be Bryan Cogman. He’s a self-deprecator, this one.
In some ways, this is my first "true" GoT script, as I didn't know I was writing an official GoT script when I penned my S1 ep
— Bryan Cogman (@b_cogman) March 30, 2016
I thought it was just an exercise D&D assigned me. Had no hope in my wildest imagination that I'd write for S1 or S2, for that matter
— Bryan Cogman (@b_cogman) March 30, 2016
So I wrote 'Cripples, Bastards, and Broken Things' blissfully unaware of the high stakes. Anyway, this one was the polar opposite. I had 1/2
— Bryan Cogman (@b_cogman) March 30, 2016
to prove promoting me wasn't a horrible mistake! 2/2 #WhatIsDeadMayNeverDie #GoT_BC_TopTen
— Bryan Cogman (@b_cogman) March 30, 2016
Cogman is one of the series’ most consistent writers, so I’d say the promotion paid off.
This opening with Craster was scripted as much more elaborate (a common trait of my early scripts!). It opened with Craster smacking Jon
— Bryan Cogman (@b_cogman) March 30, 2016
around outside of the Keep. Wisely cut.
— Bryan Cogman (@b_cogman) March 30, 2016
Remember, this episode happened right after Jon caught on to Craster’s child sacrifice shenanigans, so Craster would have been ticked.
I've had the good fortune of writing several key Sam scenes. John Bradley manages to crawl inside my head and speak the lines exactly as
— Bryan Cogman (@b_cogman) March 30, 2016
I hear them when I'm writing them. #WhatIsDeadMayNeverDie
— Bryan Cogman (@b_cogman) March 30, 2016
This was right at the beginning of Sam and Gilly’s romance, and I’d nearly forgotten about this incredibly sweet scene where Sam gives Gilly his mother’s thimble to keep safe until he comes back. Nice work, Cogman!
Man, I miss Donald Sumpter (Maester Luwin). This is the series' first mention of the Children of the Forest. Slipped this one in here!
— Bryan Cogman (@b_cogman) March 30, 2016
Cogman, you sly dog, you.
Next, Cogman talks about the scene where Brienne and Loras fight while Renly and Margaery watch (this was the introduction for three out of those four characters—how far they’ve all come!).
My original script had this scene on horseback, at Storm's End. But budget constraints made it a camp and a fight on foot. Early days!
— Bryan Cogman (@b_cogman) March 30, 2016
Gerin Anthony (Renly Baratheon) apparently had some good instincts:
This little exchange where Renly asks a servant in his army about his wounded foot was @gethinanthony's idea. A good one!
— Bryan Cogman (@b_cogman) March 30, 2016
And now we head into Theon territory:
And now we come to Pyke. I chose this episode as a top ten fave primarily because of the strength of these Theon scenes.
— Bryan Cogman (@b_cogman) March 30, 2016
Theon's arc is one of which I'm very proud. Alfie's immense talent and emotional availability hugely influence how we reshaped the
— Bryan Cogman (@b_cogman) March 30, 2016
character for the TV version of the story. #WhatIsDeadMayNeverDie
— Bryan Cogman (@b_cogman) March 30, 2016
Looking back on Season 2, it becomes clear to me that two storylines rose above the rest: Tyrion’s machinations as Hand in King’s Landing, and everything involving Theon. He had an excellent year.
This Pyke great hall set was a redress of the Winterfell great hall set.
— Bryan Cogman (@b_cogman) March 30, 2016
Interesting. Although whenever I think of the Pyke great hall, the only thing I remember is Balon’s awesome squid-themed fireplace:
C’mon, that’s a great piece of set design.
I remember reading 'A Clash of Kings' and thinking what a genius @GRRMspeaking was to make what was essentially a background 1/2
— Bryan Cogman (@b_cogman) March 30, 2016
character a main character in the second volume. 2/2
— Bryan Cogman (@b_cogman) March 30, 2016
More praise for Theon.
Ah, Shae. This was tricky. In the books there's a rather elaborate hiding place Tyrion secures for her in town. We had a version of this
— Bryan Cogman (@b_cogman) March 30, 2016
in early drafts, but it was determined we'd got more dramatic mileage (and save some money on locations/sets) if we kept her in the Red Keep
— Bryan Cogman (@b_cogman) March 30, 2016
This led us to bringing her together with Sansa much earlier than in the books and having the two of them develop a friendship.
— Bryan Cogman (@b_cogman) March 30, 2016
In A Clash of Kings, Tyrion hides Shae in a mansion on the outskirts of King’s Landing, and has to jump through a lot of hoops whenever he wants to visit her. I think it was smart to keep the characters in closer proximity for the show, though.
This is another scene I'm particularly fond of. Sansa's dinner from hell with Cersei and the kids. #WhatIsDeadMayNeverDie
— Bryan Cogman (@b_cogman) March 30, 2016
Alik kept exclaiming: it's Bergman! It's great human pain in small quiet moments!
— Bryan Cogman (@b_cogman) March 30, 2016
That would be director Alik Sakharov, who also helmed an episode in Season 3 and another couple in Season 4. He hasn’t been back since.
It's our first glimpse of Tommen's good nature. "Is Joffrey going to kill Sansa's brother?" "Would you like that?" "No, I don't think so."
— Bryan Cogman (@b_cogman) March 30, 2016
Yeah, let’s hope that good nature doesn’t spell trouble for him in Season 6.
Ok, fun fact time: This Shae/Sansa scene was originally towards the END of the episode. There's a deleted scene (you can find on the blu)
— Bryan Cogman (@b_cogman) March 30, 2016
that was supposed to directly follow the dinner scene, with Sansa being accosted by the Hound in the corridor. A version of their scene 1/2
— Bryan Cogman (@b_cogman) March 30, 2016
in the first book. The scene ends with Tyrion happening upon them and dismissing the Hound, seeing Sansa is in distress, attempting to
— Bryan Cogman (@b_cogman) March 30, 2016
comfort her, and sparking the idea to potentially solve two problems by placing Shae with Sansa. I liked the scene, personally. Not sure
— Bryan Cogman (@b_cogman) March 30, 2016
why it was cut in post, probably pacing issues…? Anyway the episode flows well as it is, so maybe it was the right call. But, again,
— Bryan Cogman (@b_cogman) March 30, 2016
the scene survives on the S2 blu ray, so you can judge for yourself. #WhatIsDeadMayNeverDie
— Bryan Cogman (@b_cogman) March 30, 2016
You can see the deleted scene he’s talking about here. It’s a really good one, and adds context to the scene in “Blackwater,” where the Hound confronts Sansa in her room.
Ah, Tyrion's ruse! Alik had a field day with this one. Very fun to write. Also a bit different in my original script. Each mini-scene
— Bryan Cogman (@b_cogman) March 30, 2016
within this sequence was originally written to take place in a different location. Alik (or maybe it was D&D, can't remember) asked me
— Bryan Cogman (@b_cogman) March 30, 2016
to rewrite so it took place in the same room and, of course, it was the right call.
— Bryan Cogman (@b_cogman) March 30, 2016
Tyrion’s ruse is a great scene, and a fine example of how condensing something for TV can actually make it better. Tyrion plays out his ruse over the course of a few chapters in A Clash of Kings, but the show does it with a fun montage.
I toyed with calling this episode "The Queen Mustn't Know" after this scene, until I realized that was a terrible title.
— Bryan Cogman (@b_cogman) March 30, 2016
Yeah, good call, there.
I loved Tyrion every season — but there's a special place in my heart for the Tyrion of Season 2. Peter really dominates the season. I'm
— Bryan Cogman (@b_cogman) March 30, 2016
not sure we've had one character anchor a season of GoT quite as much as Tyrion did in Season 2 (possibly Sean as Ned in S1)
— Bryan Cogman (@b_cogman) March 30, 2016
Yeah, after Season 2, the characters spread out too much for any one of them to anchor the story. Hopefully, we’ll see some of Tyrion’s old ability with management crop up in Season 6, now that he’s running Meereen.
This Renly/Marg scene was Natalie's audition — largely written by D&D. #WhatIsDeadMayNeverDie
— Bryan Cogman (@b_cogman) March 30, 2016
It's funny – it's been so long since the Season 2 writers room — I know we had planned for a Marg/Renly bedroom scene, and I know we had
— Bryan Cogman (@b_cogman) March 30, 2016
discussed fleshing out Margaery's role — but it was the casting of Natalie that really made us rethink/shape the character.
— Bryan Cogman (@b_cogman) March 30, 2016
Margaery is probably the show’s more successful attempt at expanding a character’s role from the books.
Now we come to one of my fave beats in the episode and it contains no dialogue! Theon writing the warning letter to Robb, then burning it
— Bryan Cogman (@b_cogman) March 30, 2016
It didn't exist in the outline. In the outline we went from Yara saying "make your choice to Theon" to Theon getting baptized. As I was
— Bryan Cogman (@b_cogman) March 30, 2016
writing the ep, I felt the middle beat was missing, so I came up with this. Thankfully, Alfie is the kind of actor that convey so much
— Bryan Cogman (@b_cogman) March 30, 2016
without any words. This is one of the most beautifully lit scenes in the ep but as I recall it was shot close to the end w/ a skeleton
— Bryan Cogman (@b_cogman) March 30, 2016
crew. We were running out of time and I remember Alik shooting it on a undressed set with minimal lighting and one camera in just a
— Bryan Cogman (@b_cogman) March 30, 2016
couple hours. I stole one of those warning notes to frame on my wall. Stuck it in a book to bring back home! And I haven't found it!
— Bryan Cogman (@b_cogman) March 30, 2016
Alfie's look of guilt and fear and shame just after he's anointed and looks out at his family — utter perfection. you can't write that!
— Bryan Cogman (@b_cogman) March 30, 2016
And we can probably trace Theon’s downfall back to that moment.
Now here's an example of why Peter Dinklage is the best. I had scripted this scene as Tyrion feeling great about himself for having rooted
— Bryan Cogman (@b_cogman) March 30, 2016
out the spy on the small council. But he pointed out that he should feel empathy for Cersei — he is sending her daughter away from her and
— Bryan Cogman (@b_cogman) March 30, 2016
she has made herself vulnerable in front of him. So instead, he's opening the scene lost in troubled thought, before Littlefinger comes in.
— Bryan Cogman (@b_cogman) March 30, 2016
That’s what Tyrion such a good potential ruler. He’s wily, but he has empathy, too.
The riddle! One of @GRRMspeaking's most inspired passages. I shall take credit for its presence in the show now. We didn't have this scene
— Bryan Cogman (@b_cogman) March 30, 2016
in the outline. As I was thumbing through the book writing this ep, I came upon the riddle scene and realized we hadn't accounted for it!
— Bryan Cogman (@b_cogman) March 30, 2016
So I worked it into this episode. And then it became the centerpiece of all the season 2 trailers. So I was very proud of that.
— Bryan Cogman (@b_cogman) March 30, 2016
The scene with Varys’ riddle might be the defining scene of Season 2, so thank god Cogman had the book on hand.
And it became Conleth's signature scene. When they shot this, Peter had just won the Emmy. So Conleth kept calling him "Emmy' btwn takes.
— Bryan Cogman (@b_cogman) March 30, 2016
And that’s just funny.
Finally, Cogman discussed the episode’s final scene, where Arya and company are beset by Lannister soliders.
I had a scene in here between Hot Pie and Arya talking about Jon Snow. When the guys told me they were cutting and writing something new
— Bryan Cogman (@b_cogman) March 30, 2016
I was PISSED. And sad! Cuz I loved the scene I wrote. Then I read this one and thought, "Fuckers! You were right!"
— Bryan Cogman (@b_cogman) March 30, 2016
And now, an ode to Maisie Williams:
I had always loved @Maisie_Williams but the day we shot this since I fell IN love! Specifically when you see that flash behind her eyes as
— Bryan Cogman (@b_cogman) March 30, 2016
Yoren is talking about saying his prayer — she's resolving to do the same in that moment, every night. Genius! And all Maisie.
— Bryan Cogman (@b_cogman) March 30, 2016
Remember: Yoren the Night’s Watchman gives Arya the idea to list off the names of everyone she wants to kill every night.
As I said before, this scene was originally written closer to the book version, with the Lannister storming a castle the recruits are
— Bryan Cogman (@b_cogman) March 30, 2016
holed up in. But we didn't have that location so I rewrote the scene, with Alik, after scouting the location. It's amazing to think about
— Bryan Cogman (@b_cogman) March 30, 2016
now after 'Blackwater', the battle of the Wall, and 'Hardhome', but this was by far our biggest battle by this point! Twas very exciting.
— Bryan Cogman (@b_cogman) March 30, 2016
The show keeps topping itself when it comes to battles. Just wait for Season 6…
Love @andykellegher as POLLIVER. Made such an impression with this brief scene that we knew viewers would remember him in 'Two Swords' (S4)
— Bryan Cogman (@b_cogman) March 30, 2016
This scene is a combo. The Lommy death beat occurred originally in Episode 4 when we outlined. Had to streamline them as we planned the
— Bryan Cogman (@b_cogman) March 30, 2016
season. Thus, I can't take credit for "Fine little blade, maybe I'll pick my teeth with it." Vanessa Taylor wrote that in her version of the
— Bryan Cogman (@b_cogman) March 30, 2016
scene, which I folded into this version. (Unless that was from the book? I don't thiiiink it was?)
— Bryan Cogman (@b_cogman) March 30, 2016
Anybody know?
Ok, that's it for #WhatIsDeadMayNeverDie! I'll be back at some point this week with my #6 pick! #GoT_BC_TopTen
— Bryan Cogman (@b_cogman) March 30, 2016
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